Although recent sound editorial credits include "The Contract", "Five Dollars a Day", ".45", "Wicked Little Things", and "Shottas", our supervisors have worked on projects dating back to the mid-eighties.

		Patrick O’ Sullivan (Sound Supervisor) Is a twenty-five year veteran in the picture and sound editing industries. Starting and training at Columbia Pictures in the picture department, Patrick eventually moved into sound. He has since worked as a sound editor and supervisor at most of the major studios in town. Credits include “Memento”, “Pathfinder”, “Shall We Dance”, “Happy Gilmore”, “American Pie”, the “Jaws” restoration, “At Close Range”, “The Contract”, and the TV series “My So-Called Life”.
		Michael Wetherwax (Dialogue Supervisor) Is a talented musician and sound editor who wears many hats. Michael edits dialogue, ADR, and music and he composes for television and film. Michael supervised the music for Graham Nash in the Life Sight Project, performed trumpet and keyboards with the band members that would eventually form Toto, and studied music composition under the direction of Quincy Jones, Hugh Montenegro, and Earl Hagen. Dialogue editorial credits include the series "Tales from the Crypt" (2 Golden Reel Awards), "Mystery Woman", "McBride", and "Jane Doe"; the features "The Contract", "How High", "Shottas", and "Love's Abiding Joy"; and the TV movies "Wild Hearts", "Though None Go With Me", "Winter White", "The Poseidon Adventure", and "Pandemic".
		Jake Eberle (Supervising Sound Editor) Became interested in sound editing while doing voice work on "Hellraiser 2" and meeting the film's sound designers. Jake has cut sound for a multitude of Hallmark Channel movies, but he most enjoys working on horror films and thrillers (he's "particularly fond of creating unusual environments and details"). With "Narc", "Alone With Her", and "Blue State" to his credit, Jake is becoming one of the leading supervising sound editors at Mercury Sound.
		Lance Wiseman (Re-Recording Mixer/ADR Supervisor) Might prefer to spend his evenings in Chavez Ravine hitting clean-up for the Los Angeles Dodgers, he spends his days (and reality) mixing films and supervising ADR at Mercury Sound. After humble beginnings as a runner at Signet Sound, he moved into sound editing and mixing at Signet and then at Magnolia Studios. Career highlights include "Narc", "Bubba Ho Tep", "My Sexiest Year", and "The Hitcher 2", and winning a Golden Reel for his work on "Sonic the Hedgehog".